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Despite the initial appearance and marketing of an action film, Blade Runner operates on an unusually rich number of dramatic levels. As with much of the cyberpunk genre, it owes a large debt to film noir, containing and exploring such conventions as the femme fatale, a Chandleresque first-person narration in the Theatrical Version, the questionable moral outlook of the hero—extended here to ...
The term comes not from the Philip K. Dick novel but rather a 1979 novella by William S. Burroughs, called Blade Runner (a movie), itself an adaptation of a Burroughs screenplay of the 1974 novel The Bladerunner by Alan E. Nourse. Scott optioned the title from Burroughs after it was suggested by screenwriter Hampton Fancher. [5]
These are Blade Runner 2: The Edge of Human (1995), Blade Runner 3: Replicant Night (1996), and Blade Runner 4: Eye and Talon (2000). Blade Runner co-writer David Peoples wrote the 1998 action film Soldier, which he referred to as a "sidequel" or spiritual successor to the original film; the two are set in a shared universe. [245]
Seven different versions of Ridley Scott's 1982 science fiction film Blade Runner have been shown, either to test audiences or theatrically. The best known versions are the Workprint, the US Theatrical Cut, the International Cut, the Director's Cut, [1] and the Final Cut. These five versions are included in both the 2007 five-disc Ultimate ...
Pixar films have tackled a number of heady topics -- exploring identity, coping with loss and the inevitability of change, and that's just the Toy Story franchise -- but Soul might just ask the ...
His top Blade Runner, Holden, was in hospital on a medical ventilator after an encounter with the Leon replicant, earlier in the film. Bryant uses thinly-veiled threats against Rick Deckard, a retired Blade Runner, to enlist his aid. Deckard's narration in the original theatrical version compares Bryant to the racist cops of the past.
The book explores the postmodern references in the film by examining their connections to the works of Philip K. Dick, William Burroughs, Alan Nourse and Aldous Huxley and to the literary sequels for Scott's film in K. W. Jeter's novels Blade Runner 2: The Edge of Human, Blade Runner 3: Replicant Night, Blade Runner 4: Eye and Talon.