Ad
related to: lyle mays synthesizer sound
Search results
Results From The WOW.Com Content Network
Lyle Mays waited a long, long time before straying from the Pat Metheny Group to issue his first solo album, but when he did, the results were at once removed but not totally untethered to the Metheny sound and feeling. On his own, Mays' synthesizer solos and textures are close in sound to what he was doing in the Metheny group, but the turns ...
Lyle David Mays (November 27, 1953 – February 10, 2020) [1] was an American jazz pianist, composer, and member of the Pat Metheny Group. [ 2 ] [ 3 ] Metheny and Mays composed and arranged nearly all of the group's music, for which Mays won eleven Grammy Awards .
Pat Metheny – acoustic and electric guitars, guitar synthesizer (1977–2010) Lyle Mays – piano, synthesizers (1977–2010, died 2020) Mark Egan – fretless bass, bass guitar (1977–1980) Danny Gottlieb – drums (1977–1982) Naná Vasconcelos – percussion, vocals (1980–1982, 1986, died 2016) Steve Rodby – double bass, bass guitar ...
Offramp is also the first Pat Metheny Group album to include vocals, which became a fundamental component of the band's sound. When Metheny and Lyle Mays partnered with Brazilian percussionist Naná Vasconcelos on the album As Falls Wichita, So Falls Wichita Falls, they sought to expand the potential of the recording studio as an ensemble ...
Many elements that became defining traits of the band's overall sound were in place on this album, namely Metheny's incorporation of several different guitars and Mays's fusion of electronic and acoustic keyboards to create a fuller, more harmonically sophisticated foundation for the melodies and solos. [7]
The Way Up is the eleventh and final studio album by the Pat Metheny Group.It was released in 2005 and won the Grammy Award for Best Contemporary Jazz Album in 2006. It is the last album in the prolific three-decade collaboration of Pat Metheny and Lyle Mays.
[3] It also features two solos: the first by Mays, a "synthed-harmonica melody"; [4] and a longer second solo by Metheny, played on a Roland GR-300. Metheny's sound on the Roland (which he also plays when the song is performed live) has been compared with wind instruments such as the flute, [ 5 ] but most commonly with the trumpet.
The album features Pat Metheny on guitar, Lyle Mays on keyboards, Steve Rodby on bass, and Paul Wertico on drums. The approach for the album was to not write lengthy compositions before recording but instead use merely sketches and rely mostly on improvisation in a setting with just acoustic instruments, a departure from the usual thoroughly ...