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During the Reformation, Luther did much to encourage the composition and publication of hymns, and wrote numerous worship songs in German. [21] In keeping with the normative principle, Luther popularized the use of songs inspired by Scripture, as opposed to Calvinist metered or even word-for-word recitations of the Psalms and other biblical ...
The reformer Martin Luther, a prolific hymnodist, regarded music and especially hymns in German as important means for the development of faith.. Luther wrote songs for occasions of the liturgical year (Advent, Christmas, Purification, Epiphany, Easter, Pentecost, Trinity), hymns on topics of the catechism (Ten Commandments, Lord's Prayer, creed, baptism, confession, Eucharist), paraphrases of ...
The hymn has been used by numerous composers, including Johann Sebastian Bach. There is a version for organ, BWV 720, written early in his career, possibly for the organ at Divi Blasii, Mühlhausen. [20] He used the hymn as the basis of his chorale cantata Ein feste Burg ist unser Gott, BWV 80 written for a celebration of Reformation Day.
The Counter-Reformation also recognized the importance of the vernacular hymn. Catholic hymnbooks such as that of Nikolaus Beuttner (Graz, 1602) – a collection of mainly pre-Reformation religious folk songs and pilgrimage – and David Gregor Corner (Nuremberg, 1625) are early examples of the work of Catholic, Jesuit educated scholars in ...
The Symphony No. 5 in D major/D minor, Op. 107, known as the Reformation, was composed by Felix Mendelssohn in 1830 in honor of the 300th anniversary of the Presentation of the Augsburg Confession. The Confession is a key document of Lutheranism and its Presentation to Emperor Charles V in June 1530 was a momentous event of the Protestant ...
The liturgical calendar of the German Reformation era had, without counting Reformation Day and days between Palm Sunday and Easter, 72 occasions for which a cantata could be presented. Composers such as Telemann composed cycles of church cantatas comprising all 72 occasions (e.g. Harmonischer Gottes-Dienst ).
A Collection of Hymns and a Liturgy: for the use of Evangelical Lutheran Churches, to which are added prayers for families and individuals (1834) [257] Church Hymn Book; consisting of hymns and psalms, original and selected. adapted to public worship and many other occasions (1838) [258] Church of the Lutheran Confession. The Lutheran Hymnal (1941)
A chorale cantata is a church cantata based on a single hymn, both its text and tune. Bach was not the first to compose them, but for his 1724-25 second Leipzig cantata cycle he developed a specific format: in this format the opening movement is a chorale fantasia on the first stanza of the hymn, with the hymn tune appearing as a cantus firmus.