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The Osu caste system is a traditional practice in Igboland, characterized by social segregation and restrictions on interaction and marriage with a group of individuals known as Osu (Igbo: outcast). [ 1 ] [ 2 ] The Osu individuals historically were marginalized by the Igbo deities ( Alusi ), and as a result, they are often perceived as inferior ...
Obinna, in 2012, reports that in the Igbo community – in Enugu and Delta states, and most especially in Anambra and Imo states – Osu caste system remains a social issue. The Osu caste is determined by one's birth into a particular family irrespective of the religion practised by the individual. Once born into the Osu caste, this Nigerian ...
(Spiritual attention means a way of casting out the evil spirit through deliverance (Christian way) or through African Traditional Religion (i.e. digging out his/her “iyi uwa”. the ATR way)). Ogbanje is an Igbo (Nigeria) term that means a repeater or someone who comes and departs. [ 13 ]
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).
The Osu caste is determined by one's birth into a particular family irrespective of the religion practised by the individual. Once born into Osu caste, this Nigerian person is an outcast, shunned and ostracised, with limited opportunities or acceptance, regardless of his or her ability or merit.
The Central African musicological region and the River Congo upon a satellite photograph showing the African tropical rainforest and desert regions. The central region of African music is defined by the tropical rain-forests at the heart of the continent. However Chad, the northernmost state, has a considerable subtropical and desert northern ...
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The autograph of the piano part contains sketches of an African scene. Africa is scored for solo piano and an orchestra consisting of 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 cornets, 3 trombones, timpani, triangle, cymbals, and strings. [13] Saint-Saëns also made arrangements of the piece for two pianos and for piano solo. [4]