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Willem's older brother Andries was an art dealer and friends with the brothers Theo and Vincent van Gogh, and his sister Johanna was the wife of Theo van Gogh. Bonger attended the Barlaeus Gymnasium in Amsterdam and took up law studies at the University of Amsterdam in 1895, where he heard, among other things, criminal law from GA van Hamel.
Dutch criminologist Willem Bonger believed in a causal link between crime and economic and social conditions. [12] He asserted that crime is social in origin and a normal response to prevailing cultural conditions. [13] In more primitive societies, he contended that survival requires more selfless altruism within the community. [14]
Drawing on the work of Marx (1990 [1868]); Engels, (1984 [1845]); and Bonger (1969 [1916]) among others, such critical theorists suggest that the conditions in which crime emerges are caused by the appropriation of the benefits others' labor through the generation of what is known as surplus value, concentrating in the hands of the few owners ...
Andries Bonger (20 May 1861 – 20 January 1936) was a Dutch art collector, as well as Johanna van Gogh-Bonger's brother and Theo van Gogh's friend, who later became his brother-in-law. Relationship with Theo
Johanna (Jo) Gezina Bonger was born on 4 October 1862 in Amsterdam in the Netherlands. The daughter of Hendrik Christiaan Bonger (1828–1904), an insurance broker, and Hermine Louise Weissman (1831–1905), she was the fifth of seven children.
De briefwisseling tussen Theo van Gogh en Jo Bonger, Waanders, Zwolle 1999. ISBN 90-400-9353-9 (also available in English). Luijten, Hans. Jo van Gogh-Bonger: The Woman Who Made Vincent Famous. London: Bloomsbury Visual Arts 2022. ISBN 9781350299580
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. [1] The bulk of their work was published and popularized by members of the Silent Generation in the 1950s , better known as Beatniks .
De libero arbitrio diatribe sive collatio was nominally written to refute a specific teaching of Martin Luther, on the question of free will. [note 1] Luther had become increasingly aggressive in his attacks on the Roman Catholic Church to well beyond irenical Erasmus' reformist agenda.