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"Nothing Gold Can Stay" by American composer William Thayer Ames, [6] a choral setting of the poem. "Nothing Gold Can Stay" by American composer Cecil William Bentz, [7] a choral setting of the poem in his opus, "Two Short Poems by Robert Frost." "Nothing Gold Can Stay" [8] by American composer Steven Bryant, [9] an instrumental chorale ...
New Hampshire is a 1923 poetry collection by Robert Frost, which won the 1924 Pulitzer Prize for Poetry. [1]The book included several of Frost's most well-known poems, including "Stopping by Woods on a Snowy Evening", [2] "Nothing Gold Can Stay" [3] and "Fire and Ice". [4]
"Nothing Gold Can Stay" is referenced in First Aid Kit's 2014 album Stay Gold: "But just as the moon it shall stray / So dawn goes down today / No gold can stay / No gold can stay." [68] "Nothing Gold Can Stay" (February 4, 2015) is the title given to the tenth episode of the seventh season of The Mentalist in which a character is killed.
Nothing Gold Can Stay may refer to: "Nothing Gold Can Stay" (poem), a poem by American poet Robert Frost; Nothing Gold Can Stay, a 1999 album by New Found Glory; Nothing Gold Can Stay (short story collection), a 2013 short story collection by Ron Rash; Episode 11 of Containment in 2016, named after the Frost poem
Handwritten version of 'Happiness Makes Up in Height For What It Lacks in Length' by Robert Frost. Found inscribed in a Robert Frost book in the Special Collections Library at Duke University. Date of signature in the book predates formal release in publication of the poem. The Gift Outright; The Most of It; Come In; All Revelation [2] A ...
"Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine [1] and was later published in Frost's 1923 Pulitzer Prize-winning book New Hampshire. "Fire and Ice" is one of Frost ...
"Stopping by Woods on a Snowy Evening" is a poem by Robert Frost, written in 1922, and published in 1923 in his New Hampshire volume. Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance". [2]
This volume is divided into 6 parts: 1-Taken Doubly; 2-Taken Singly; 3-Ten Mills; 4-The Outlands; 5-Build Soil; 6-A Missive Missile. The dedication: "To E. F. for what it may mean to her that beyond the White Mountains were the Green; beyond both were the Rockies, the Sierras, and, in thought, the Andes and the Himalayas—range beyond range even into the realm of government and religion."