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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Fruit still life. Van Utrecht was mainly a still life painter. The range of still life subjects that he tackled was wide and included scenes of fish, meat and vegetable stalls, kitchen scenes often including figures or living animals adding a narrative element, displays of game in larders or as hunting trophies, still lifes of fish, fruit and vegetables.
Still Life with Fruit on a Stone Ledge is a painting attributed to the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).. The picture has been variously dated between 1601 and 1610 (Caravaggio scholar John T. Spike lists the date as circa 1603 in the second revised edition [1] of his study of the artist).
Still Life with Quince, Cabbage, Melon, and Cucumber, commonly known as Quince, Cabbage, Melon and Cucumber, is a c. 1602 oil on canvas painting by Spanish painter Juan Sánchez Cotán. It is a still life painting of various fruits and vegetables. It is considered to be Cotán's masterpiece, and is on display at the San Diego Museum of Art.
This sale set a record for Still Life with Japanese Woodcut at $1.4 million, and the work is currently valued at $45 million. [3] During the direction of Mahmoud Shalouithe, the National Gallery of Art in Washington, D.C., and the Tate Modern in London tried to borrow the painting but the requests were rejected. [4]
Pronkstilleven (Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, characterised by large and complex compositions and an elaborate palette. Pronkstillevens typically depict a wide variety of objects, fruits, flowers and inanimate animals, often accompanied by live human and animal figures.
After history painting came, in order of decreasing worth: portraits, scenes of everyday life (called scènes de genre, or "genre painting", and also petit genre to contrast it with the grande genre), landscapes, animal painting, and finally still lifes. In his formulation, such paintings were inferior because they were merely reportorial ...
Chaekgeori is a genre of still-life painting that features books as the dominant subject. Originally a court art embraced by the upper class, chaekgeori spread to the minhwa folk art of the common class in the 19th century, resulting in more expressionist and abstract depictions, and the diminished prominence of bookshelves as a primary motif. [6]