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Lục bát (Vietnamese: [lʊwk͡p̚˧˨ʔ ʔɓaːt̚˧˦], chữ Hán: 六八) is a traditional Vietnamese verse form – historically first recorded in Chữ Nôm script. "Lục bát" is Sino-Vietnamese for "six-eight", referring to the alternating lines of six and eight syllables. It will always begin with a six-syllable line and end with an ...
The song thất lục bát (雙七六八, literally "double seven, six eight") is a Vietnamese poetic form, which consists of a quatrain comprising a couplet of two seven-syllable lines followed by a Lục bát couplet (a six-syllable line and an eight-syllable line). Each line requires certain syllables to exhibit a "flat" or "sharp" pitch.
The Tale of Tống Trân and Cúc Hoa (宋珍菊花 Tống Trân Cúc Hoa) is a traditional epic poem in lục bát verse from 18th or 19th Century Vietnam. The poem is anonymous. The poem was widely published in the early days of Vietnamese printing, [1] including engraved plates with illustrations. [2]
Vietnamese poetry originated in the form of folk poetry and proverbs. Vietnamese poetic structures include Lục bát, Song thất lục bát, and various styles shared with Classical Chinese poetry forms, such as are found in Tang poetry; examples include verse forms with "seven syllables each line for eight lines," "seven syllables each line for four lines" (a type of quatrain), and "five ...
The Tale of Kiều adapted the Chinese novel Jin Yun Qiao into Vietnamese lục bát verses. Thus, there has been many works that compare the two in both Vietnamese and Chinese. The first person to do the work is Đào Duy Anh, who wrote in his book: [24] "Nguyễn Du preserved the Chinese story without cutting or adding anything. But the ...
Phan Trần (Vietnamese: Phan Trần truyện, chữ Hán: 潘陳傳) is an anonymous Vietnamese language epic poem in lục bát verse originally written in chữ Nôm. [1] It was first transcribed into the Latin-based modern Vietnamese alphabet in 1889. [2]
The Nôm script better represented Vietnamese literature as it led to the creation of different poetic forms like Lục bát and Song thất lục bát. It also allowed for Vietnamese reduplication to be used in Vietnamese poetry .
The English title has also been rendered as the "Lament of a Royal Concubine" or "The Complaints of the Royal Harem." The poem is an example of song thất lục bát ("double seven, six eight") form of poetry in the ngâm "lament" style. [1] [2]