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As Paul Magnuson wrote in 2002, "Abrams credited Coleridge with originating what Abrams called the 'greater Romantic lyric', a genre that began with Coleridge's 'Conversation' poems, and included William Wordsworth's Tintern Abbey, Percy Bysshe Shelley's Stanzas Written in Dejection and John Keats's Ode to a Nightingale, and was a major ...
The Romantic movement in English literature of the early 19th century has its roots in 18th-century poetry, the Gothic novel and the novel of sensibility. [6] [7] This includes the pre-Romantic graveyard poets from the 1740s, whose works are characterized by gloomy meditations on mortality, "skulls and coffins, epitaphs and worms". [8]
Lysis (/ ˈ l aɪ s ɪ s /; Ancient Greek: Λύσις, genitive case Λύσιδος, showing the stem Λύσιδ-, from which the infrequent translation Lysides), is a dialogue of Plato which discusses the nature of philia (), often translated as friendship, while the word's original content was of a much larger and more intimate bond. [1]
Lyrical Ballads, with a Few Other Poems is a collection of poems by William Wordsworth and Samuel Taylor Coleridge, first published in 1798 and generally considered to have marked the beginning of the English Romantic movement in literature. [2]
The dialogue's seven main characters, who deliver major speeches, are: Phaedrus (speech begins 178a): [12] an Athenian aristocrat associated with the inner-circle of the philosopher Socrates, familiar from Phaedrus and other dialogues; Pausanias (speech begins 180c): the legal expert; Eryximachus (speech begins 186a): a physician
Thomas Malory's The Book of Sir Tristram de Lyones is the only other medieval handling of the Tristan legend in English. Malory provided a shortened translation of the French Prose Tristan and included it in his Arthurian romance compilation Le Morte d'Arthur. In Malory's version, Tristram is the son of the King of Lyonesse.
The dialogue does not set itself as a re-telling of the day's events. It is given in the direct words of Socrates and Phaedrus, without other interlocutors to introduce the story. This is in contrast to dialogues such as the Symposium , in which Plato sets up multiple layers between the day's events and our hearing of it, explicitly giving us ...
The Consolations are part of Seneca’s Treatises, commonly called Dialogues, or Dialogi. [1] These works clearly contain essential principles of Seneca’s Stoic teachings. Although they are personal addresses of Seneca, these works are written more like essays than personal letters of consolation.