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NP-40 (also known as Tergitol-type NP-40 and nonyl phenoxypolyethoxylethanol [1]) is a commercially available detergent with CAS Registry Number 9016-45-9. NP-40 is an ethoxylated nonylphenol for non-ionic surfactants and can act as emulsifier and demulsifier agent.
AMPS is made by the Ritter reaction of acrylonitrile and isobutylene in the presence of sulfuric acid and water. [2] The recent patent literature [3] describes batch and continuous processes that produce AMPS in high purity (to 99.7%) and improved yield (up to 89%, based on isobutene) with the addition of liquid isobutene to an acrylonitrile / sulfuric acid / phosphoric acid mixture at 40°C.
Nonidet P-40 is a nonionic, non-denaturing detergent. Its official IUPAC name is octylphenoxypolyethoxyethanol. Nonidet P-40 is sometimes abbreviated as NP-40, but should not be confused with a different detergent by the same name NP-40 , nonylphenoxypolyethoxyethanol of the Tergitol NP series of Dow Chemicals.
The solubilizing agent is NP-40, which can be replaced by other detergents at different concentrations. Since NP-40 is a nonionic detergent, this lysis buffer has a milder effect than RIPA buffer. It can be used when protein functions are to be retained with minimal disruption. [9] Recipe: [9] 150 mM NaCl; 1.0% Nonidet P-40 or Triton X-100; 50 ...
Schematic diagram of a micelle of oil in aqueous suspension, such as might occur in an emulsion of oil in water. In this example, the surfactant molecules' oil-soluble tails project into the oil (blue), while the water-soluble ends remain in contact with the water phase (red).
In the mid 1980s, Pass designed the well-reviewed Adcom GFA-555 amplifier. This was a Bipolar Junction Transistor (BJT) based design. [6] [7] Nelson also designed the GFA-5XXX MOSFET-based series of high-bias class-AB amplifiers for Adcom (i.e. -5300, -5400, -5500, -5800).
In 1960, Ampeg introduced the B-15, a bass combo amplifier with an innovative flip-top function, invented and patented by Oliver. The B-15 was the first in the company's Portaflex series, and after becoming the preferred studio amp of session musicians like James Jamerson and Chuck Rainey.
Summers' use of the amp in turn inspired, for instance, Jeff Buckley, whose first amplifier was a Jazz Chorus. [ 4 ] Another notable user of the JC-120 was Johnny Marr of The Smiths who used the Roland JC-120 along with his Rickenbacker 330 and Telecaster to create the sounds present on The Smiths’ debut album.