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Sanvean: I am your shadow" is a song co-written in September 1993 by Lisa Gerrard and composer/multi-instrumentalist Andrew Claxton [1] during rehearsals in Ireland for the 1993 Dead Can Dance international tour. [2] Lisa Gerrard stated she wrote this song missing her family who had remained in Australia.
"Table Dancer" was co-written by Keshia Chanté and produced by Alex Greggs. The song was released October 5, 2010 via Chanté's official website and later released on October 12 via iTunes Canada. "Table Dancer" features a dance pop production and lyrics that were inspired by women letting loose and table dancing for fun.
The dance was created in 1937 for a festival to celebrate the discovery of water in the desert after a seven-year search. The choreographer was Else I. Dublon. [1] The dance is sometimes known as "Ushavtem Mayim", after the first words of the lyrics, or simply just "Mayim", but "Mayim Mayim" is the original and most common name.
The song is intended to sound to its Italian audience as if it is sung in English spoken with an American accent; however, the lyrics are deliberately unintelligible gibberish. [ 9 ] [ 10 ] Andrew Khan, writing in The Guardian , later described the sound as reminiscent of Bob Dylan 's output from the 1980s.
The phrase "He did trip it / On the toe" appears in the Jacobean song "Since Robin Hood", set to music by Thomas Weelkes in 1608. [8]This expression was popularized in the American song "The Sidewalks of New York" (melody and lyrics by Charles B. Lawlor and James W. Blake) in 1894. [4]
The meaning and lyrics behind the popular end-of-year song. ... "Auld Lang Syne" was originally written in the Scots language. Related: ... What are the English lyrics to "Auld Lang Syne"?
"Shipoopi" is a song in the 1957 musical The Music Man by Meredith Willson. [1] The song is sung by the character of Marcellus Washburn, a friend of con man "Professor" Harold Hill. It occurs in act 2 of the play during the dance committee's rehearsal which the town
"I Zimbra" is a song by American new wave band Talking Heads, released as the second single from their 1979 album Fear of Music. According to Sytze Steenstra in Song and Circumstance: The Work of David Byrne from Talking Heads to the Present, the music draws heavily on the African popular music Byrne was listening to at the time.