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Let Loose is the debut album by British band Let Loose, released on 7 November 1994. It is the first studio album to be recorded by the original line-up of the band, and features their biggest hit, "Crazy for You". The album also spawned the singles "Seventeen", "One Night Stand", "Best in Me" and "The Way I Wanna Be".
Let Loose is a British pop trio, started by Richard John "Richie" Wermerling (lead vocals and keyboards), Robert George Edward "Rob" Jeffrey (guitars and backing vocals) and Lee J. Murray (drums, percussion and backing vocals), and currently consisting of Jeffrey, Murray and former Bad Boys Inc singer Matthew James Pateman.
Let It Loose, a 1987 album by Gloria Estefan and the Miami Sound Machine This page was last edited on 24 May 2021, at 00:07 (UTC). Text is available under the ...
"Crazy for You" is a song by British pop music trio Let Loose, released in April 1993 by Vertigo Records as their debut single from their self-titled album (1994). The song was written by Richie Wermerling and produced by Nicky Graham. The original 1993 release reached No. 44 in the United Kingdom and debuted at number 157 in Australia. [2]
It should only contain pages that are Let Loose albums or lists of Let Loose albums, as well as subcategories containing those things (themselves set categories). Topics about Let Loose albums in general should be placed in relevant topic categories .
Rollercoaster is the second studio album to be released by British band Let Loose, released on 23 September 1996.It was supported by a small UK tour, it is the last studio album to be recorded by the original line-up of the band, and features the band's second biggest hit, "Make It with You".
Let It Loose is the tenth studio album by Gloria Estefan and Miami Sound Machine, released in 1987.It is the first studio album to feature a specific credit for Estefan, but is her 10th album overall including her work with Miami Sound Machine.
Written by Mick Jagger and Keith Richards, “Let It Loose” is an emotional gospel blues ballad with a fervent religious feeling, the song being one of the band’s most prominent forays into soul and gospel during the Exile era after Jagger had attended the services of the Reverend James Cleveland and remained deeply impressed by the singing of the gospel choir.