Search results
Results From The WOW.Com Content Network
The sonata form (also sonata-allegro form or first movement form) is a musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of the 18th century (the early Classical period ).
Portrait of composer C.P.E. Bach. The older Italian sonata form differs considerably from the later sonata in the works of the Viennese Classical masters. [1] Between the two main types, the older Italian and the more "modern" Viennese sonata, various transitional types are manifest in the middle of the 18th century, in the works of the Mannheim composers, Johann Stamitz, Franz Xaver Richter ...
The sonata form is "the most important principle of musical form, or formal type from the classical period well into the twentieth century." [15] It is usually used as the form of the first movement in multi-movement works. So, it is also called "first-movement form" or "sonata-allegro form" (because usually the most common first movements are ...
Allegro The first movement, in D major and 4 4 time, is written in sonata allegro form, with the notable deviation of the recapitulation being the mirror image of the exposition. That is, the recapitulation starts with the second theme, and Mozart waits until the very end to unveil the return of the first theme.
The third movement usually follows a dance-like form, such as Minuet [or Scherzo] and Trio form. It is commonly written in the home key. Or, if used as the last movement, is in a fast tempo such as prestissimo, presto, or vivace. Like in Beethoven's "Pathetique" sonata Op.13 Third Movement
In the Middle Ages and later, the Latin form symphonia was used to describe various instruments, especially those capable of producing more than one sound simultaneously. [2] Isidore of Seville was the first to use the word symphonia as the name of a two-headed drum, [ 3 ] and from c. 1155 to 1377 the French form symphonie was the name of the ...
I. Allegro. The orchestra states both themes. The first is immediately present, and the second is introduced by the horn. Both themes fall under the conventional sonata form. The soli then re-work the already present themes. [4] II. Andantino The short phrases in this movement are introduced by the strings, and become lyrically extended.
Finale: Allegro non troppo The movement begins with a joyful and upbeat melody and is written in a variant of Sonata form. The coda, which recapitulates the core thematic material of the symphony, is an exultant exclamation of the first theme, inverting its initial lugubrious appearance and bringing the symphony back to its beginnings.