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The previously mentioned elements of Ayakashi Triangle are commonly associated with Yabuki's works, especially his earlier manga series Black Cat (2000–2004), To Love Ru (2006–2009), and the latter's continuation To Love Ru Darkness (2010–2017); [16] the first series was created solely by Yabuki, [17] while the last two manga were only ...
The manga series Ayakashi Triangle features a cast of characters created by Kentaro Yabuki. The story follows exorcist ninja Matsuri Kazamaki, as he tries to defend his childhood friend and love interest, the Ayakashi Medium Suzu Kanade, from evil spirits called ayakashi.
Kentaro Yabuki (Japanese: 矢吹 健太朗, Hepburn: Yabuki Kentarō, born February 4, 1980 [1]) is a Japanese manga artist, best known for his series Black Cat (2000–2004) and for illustrating To Love Ru (2006–2009) and To Love Ru Darkness (2010–2017) alongside author Saki Hasemi.
Ayakashi Ninden Kunoichiban, a 1997 video game; Ayakashi no Shiro, a 1990 video game; Ayakashi Triangle, a Japanese manga series; Ghost Slayers Ayashi (Tenpō Ibun Ayakashi Ayashi), a Japanese anime television series
Manga Plus (stylized as MANGA Plus by SHUEISHA) is an online manga platform and smartphone app owned by Shueisha that was launched on January 28, 2019. It is available worldwide except in Japan, China, and South Korea which already have their own services, including Shōnen Jump+ , the original Japanese service.
Omegaverse, also known as A/B/O or α/β/Ω (an abbreviation for "alpha/beta/omega"), is a subgenre of speculative erotic fiction, and originally a subgenre of erotic slash fan fiction.
Every Ayakashi who knew him personally either hated him for various reasons or considered him a close friend. During a visit to Tenjin-ya, he went on an extravagant spending spree, ending up indebted to Odanna for 100 million yen, resulting in him offering Aoi's hand in marriage as payment.
A lot of what we see in Omegaverse these days is familiar from TS days, especially the idea of being bonded on a chemical level and folks ‘coming online’ (‘presenting’) as one or the other identity. There were even similar tropes of oppression and sexualised violence against Guides as the smaller and more traditionally submissive type.