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If a language contains four terms, then it contains a term for either green or yellow (but not both). If a language contains five terms, then it contains terms for both green and yellow. If a language contains six terms, then it contains a term for blue. If a language contains seven terms, then it contains a term for brown.
The notion of "green" in modern European languages corresponds to light wavelengths of about 520–570 nm, but many historical and non-European languages make other choices, e.g. using a term for the range of ca. 450–530 nm ("blue/green") and another for ca. 530–590 nm ("green/yellow").
However, the Nigerian Ibibio language and the Philippine Hanunoo language both identify green instead of yellow. The Ovahimba use four color names: zuzu stands for dark shades of blue, red, green, and purple; vapa is white and some shades of yellow; buru is some shades of green and blue; and dambu is some other shades of green, red, and brown. [10]
In many languages, the colors described in English as "blue" and "green" are colexified, i.e., expressed using a single umbrella term.To render this ambiguous notion in English, linguists use the blend word grue, from green and blue, [1] a term coined by the philosopher Nelson Goodman — with an unrelated meaning — in his 1955 Fact, Fiction, and Forecast to illustrate his "new riddle of ...
Basic Color Terms: Their Universality and Evolution (1969; ISBN 1-57586-162-3) is a book by Brent Berlin and Paul Kay.Berlin and Kay's work proposed that the basic color terms in a culture, such as black, brown, or red, are predictable by the number of color terms the culture has.
For example, by some definitions, it would be impossible to use Goethe's color wheel for analogous colors, because they do not share a common color, such as blue-green. If you wanted to use the analogous colors blue, blue-green, and green with Boutet's color wheel on the left, you wouldn't be able to.