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The tree typically rises from Jesse of Bethlehem, the father of King David. The Tree of Jesse (Ρίζα του Ιεσσαί) has appeared numerous times in Greek Italian Byzantine art. The True Vine theme is also part of the New Testament. It is a parable or allegory found in John 15:1–17. It describes Jesus's disciples as branches of himself.
The final two apostles at the lowest point in the tree from left to right are Thomas and Philip. The final two are closest to the ground. The gilded background is still in good condition. Some of the branches have deteriorated but leaves and grapes are visible. The image clearly demonstrates the flattened space of the Italian-Greek Byzantine style.
The tree is the depiction in art of the ancestors of Jesus Christ and Christ is shown in a branching tree. The tree typically rises from Jesse of Bethlehem, Jesse was the father of King David . The Tree of Jesse (Ρίζα του Ιεσσαί) has appeared numerous times in Greek Italian Byzantine art and the True Vine theme is also part of the ...
Tree of Jesse is a tempera painting on gold leaf and wood panel. The height is 52 cm (20.4 in) and the width is 40.3 cm (15.9 in). The height is 52 cm (20.4 in) and the width is 40.3 cm (15.9 in). It is almost identical in size to Victor's Christ the Vine which was completed the same year.
Christ Blessing the Children; Christ Blessing the Children (Lucas Cranach the Elder) The Christ Child and the Infant John the Baptist with a Shell; Christ Child Blessing; Christ Child with a Walking Frame; Christ embracing Saint Bernard (Ribalta) Christ Enthroned (Cima da Conegliano) Christ Enthroned (Moskos) Christ Enthroned (Tzanes)
Christ the Vine is a tempera painting on gold leaf and wood panel. The height is 52 cm (20.4 in) and the width is 42 cm (16.5 in). The painting features nine original apostles, three evangelists, Jesus Christ, God, and the white dove. The white dove represents the holy spirit. In this rendition, the father, the son, and the holy spirit are present.
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Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...