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"Punk Rock Girl" is a song by American rock band the Dead Milkmen. It was the first single released from the band's fourth album Beelzebubba (1988). Released in December 1988, the track was primarily composed by guitarist and vocalist Joe Genaro and bassist Dave Schulthise , though it is credited to all four band members.
Rust Never Sleeps is the tenth album by Canadian American singer-songwriter Neil Young and his third with American band Crazy Horse.It was released on June 22, 1979, by Reprise Records and features both studio and live tracks. [5]
The Washington Post ' s Mark Jenkins wrote that "it's 'Punk Rock Girl', the only song that shows some vulnerability amidst all the attitude, that redeems the record." [1] Trouser Press thought that "the Milkmen's skimpy charms run very thin on Beelzebubba, an album with precisely three assets: a great title, amusing artwork and the catchy but dumb 'Punk Rock Girl'."
American Stars 'n Bars is the eighth studio album by Canadian-American folk rock songwriter Neil Young, released on Reprise Records in 1977. Compiled from recording sessions scattered over a 29-month period, it includes "Like a Hurricane", one of Young's best-known songs.
Ronald Reagan was president. The Nintendo Entertainment System was released in the U.S., along with the Sony Walkman. The Titanic wreckage was discovered. The ill-fated New Coke made its debut. So ...
Neil Percival Young OC OM [1] [2] (born November 12, 1945) is a Canadian and American [3] singer-songwriter. After embarking on a music career in Winnipeg in the 1960s, Young moved to Los Angeles, joining the folk rock group Buffalo Springfield.
The version of "Sedan Delivery" on Rust Never Sleeps is a different arrangement to the original unreleased version; [4] [5] much of the Rust Never Sleeps version is taken at a very fast speed, consistent with that of many punk rock songs of the time. [4] [6] Young has stated that the new faster arrangement was inspired by Devo in attitude. [1]
Combined with its acoustic counterpart "My My, Hey Hey (Out of the Blue)", it bookends Young's 1979 album Rust Never Sleeps. The song was influenced by the punk rock zeitgeist of the late 1970s, in particular by Young's collaborations with the American art punk band Devo, and what he viewed as his own growing irrelevance.