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This is an accepted version of this page This is the latest accepted revision, reviewed on 14 January 2025. This is a list of onomatopoeias, i.e. words that imitate, resemble, or suggest the source of the sound that they describe. For more information, see the linked articles. Human vocal sounds Achoo, Atishoo, the sound of a sneeze Ahem, a sound made to clear the throat or to draw attention ...
Onomatopoeia, while a facet of language, is also in a sense outside of the confines of language. [19] In linguistics, onomatopoeia is described as the connection, or symbolism, of a sound that is interpreted and reproduced within the context of a language, usually out of mimicry of a sound. [20] It is a figure of speech, in a sense.
The sound-symbolic words of Japanese can be classified into four main categories: [4] [5] Animate phonomime (擬声語, giseigo) words that mimic sounds made by living things, like a dog's bark (wan-wan). Inanimate phonomime (擬音語, giongo) words that mimic sounds made by inanimate objects, like wind blowing or rain falling (zā-zā).
An ideophone, also known as a mimetic or expressive, is any word in a certain word class evoking ideas in sound imitation (onomatopoeia) to express an action, manner, or property. The class of ideophones is the least common syntactic category cross-linguistically; it occurs mostly in African, Australian, and Amerindian languages , and ...
This page was last edited on 22 January 2025, at 20:35 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Because of the nature of onomatopoeia, there are many words which show a similar pronunciation in the languages of the world. The following is a list of some conventional examples: The following is a list of some conventional examples:
Pages in category "Onomatopoeia" The following 27 pages are in this category, out of 27 total. This list may not reflect recent changes. ...
Tanka is a form of unrhymed Japanese poetry, with five sections totalling 31 on (phonological units identical to morae), structured in a 5–7–5–7–7 pattern. [130] There is generally a shift in tone and subject matter between the upper 5–7–5 phrase and the lower 7–7 phrase.
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