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New techniques currently being developed in interactive movies, introduce an extra dimension into the experience of viewing movies, by allowing the viewer to change the course of the movie. In traditional linear movies, the author can carefully construct the plot, roles, and characters to achieve a specific effect on the audience.
Follow shot is a specific camera angle in which the subject being filmed is seemingly pursued by the camera, for example by a Steadicam.The follow shot can be achieved through tracking devices, panning, the use of a crane, and zoom lenses resulting in different qualitative images but, nevertheless, recording a subject (performer) in motion.
Riding techniques and movements (31 P) T. Tennis shots (16 P) V. ... Pages in category "Sports techniques" The following 13 pages are in this category, out of 13 total.
Motion capture of two pianists' right hands playing the same piece (slow-motion, no-sounds) [1] Two repetitions of a walking sequence recorded using motion capture [2]. Motion capture (sometimes referred as mo-cap or mocap, for short) is the process of recording the movement of objects or people.
52 Pick-Up, 1986 film (one scene set during Dodgers-Mets game on May 16, 1986) The Naked Gun: From the Files of Police Squad!, 1988 film (closing scenes) The Sandlot, 1993 film (cameo) The Fast and the Furious, 2001 film (opening scene driving in the parking lot) Clubhouse, 2004 TV series (standing in for a fictional New York stadium)
Try these 22 expert-approved tips to have better, more intense male orgasms. ... Sports. Weather. 24/7 Help. For premium support please call: 800-290-4726 more ways to reach us. Sign in.
The multiple-camera setup, multiple-camera mode of production, multi-camera or simply multicam is a method of filmmaking, television production and video production. Several cameras—either film or professional video cameras —are employed on the set and simultaneously record or broadcast a scene.
The strip film moves across the slit in the same direction to the race and at substantially the same speed as the rate of movement of the image of the horses as each passes the finishing line. This keeps the image of the horses more or less stationary with respect to the film.