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The hamsa hand can be represented in a drawing, a painting, an object, jewelry — just about anywhere in the home or on the body. There’s really no rule about who can use a hamsa.
A hanging hamsa in Tunisia. The hamsa (Arabic: خمسة, romanized: khamsa, lit. 'five', referring to images of 'the five fingers of the hand'), [1] [2] [3] also known as the hand of Fatima, [4] is a palm-shaped amulet popular throughout North Africa and in the Middle East and commonly used in jewellery and wall hangings.
A Definition Etymology In other languages abhidhamma A category of scriptures that attempts to use Buddhist teachings to create a systematic, abstract description of all worldly phenomena abhi is "above" or "about", dhamma is "teaching" Pāli: abhidhamma Sanskrit: abhidharma Bur: အဘိဓမ္မာ abhidhamma Khmer: អភិធម្ម âphĭthômm Tib: ཆོས་མངོན་པ ...
Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
Hamsa refers to a migratory bird, such as "swan, goose, flamingo", it reflects Om symbol, and symbolizes Atman. [9] The word Hamsa as a symbolism for Atman and moksha appears in numerous ancient texts of Hinduism. Vogel suggested in 1952, that Hamsa in Hindu texts could be symbolism for goose, rather than swan. [10]
The gesture was used by Gautama Buddha to subdue the elephant when attacked by a drunk elephant set off by Devadatta (some says by Ajātasattu), [4] as shown in several frescos and scripts. [citation needed] In Mahayana Buddhism, deities often paired it with another mudra using the other hand. Buddha with his right hand in abhayamudra.
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
He has white beard and is accompanied by his vahana, hamsa (goose or swan), which scholars believe that these suggest his association with the creator god Brahma. Usually, he is seated on a throne and his sons standing near him. This form of Vishvakarma is mainly found in the Western and North Western parts of India. [15]