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It was produced by Fred De Faye, Paddy Casey and Pat Donne. It spawned the Irish Singles Chart hits "Saints and Sinners", "The Lucky One" (in 2003), plus "Bend Down Low" and "Want It Can't Have It" (in 2004). Living spent the majority of the year in the top ten, climbing to the top of the Irish Albums Chart 21 weeks after its initial release ...
On April 27, 2010, "Saints and Sinners" was released as the fourth song from The Oracle, giving the fans the opportunity to download it through iTunes. [2] The song was later released as a single to active rock radio stations in March 2011.
[4] Specifying in a four and a half star review by Worship Leader, Jeremy Armstrong responds, "the result is a litany of gutsy, profound, and beautiful worship songs" that "cements Maher’s already-stalwart position as one of today’s most important worship songwriters."
Eschewing the R&B sound of All Saints' previous releases, "Pure Shores" is a dream pop song with ambient and electronic production, and a syncopation of synth delays, arpeggiated guitar and ethereal sound effects. It was released by London Records on 14 February 2000 as the lead single from the film's soundtrack and Saints & Sinners.
Songs for Sinners & Saints (released as Michael & the Mighty Midnight Revival, Songs for Sinners and Saints) is the seventh studio album by American rapper Killer Mike.It was released in collaboration with his gospel choir, The Mighty Midnight Revival, composed of Lena Byrd Miles, Alicia Peters-Jordan, Jori, Adonica Nunn, Jordan Alyssa and Troy Durden.
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Saints & Sinners is the sixth studio album by Johnny Winter, released in 1974. It follows Winter's pattern of mixing original songs with cover versions. After covering two Jagger-Richards songs on his previous album and previously issuing a live version of "Jumpin' Jack Flash," he covers a further one in "Stray Cat Blues" on this release.
Saints & Sinners is the fifth studio album by English hard rock band Whitesnake, released on 15 November 1982 by Liberty Records.The album was the last to be recorded by the Ready an' Willing line-up as the members had strained relations alongside the musical direction and the band's management despite commercial successes in their native.