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As with most of the songs on his Living in the Material World album, George Harrison wrote "Give Me Love (Give Me Peace on Earth)" over 1971–72. [4] During this period, he dedicated himself to assisting refugees of the Bangladesh Liberation War, [5] by staging two all-star benefit concerts in New York and preparing a live album and concert film for release. [6]
In 1995 Randy Crawford recorded a cover version of Give Me the Night which appeared on the album Naked & True. Compared to the original, which is a Post-Disco-Song, this version is Deep House. In addition to the studio album, it is also included on The Best Of Randy Crawford & Friends and Brigitte Musik - Jazz For Dinner 4 compilations. [30]
Let's Get Together (Chet Powers song) Give Me Love (Give Me Peace on Earth) Give Me Peace on Earth; ... Last Night I Had the Strangest Dream; Let There Be Peace on ...
Give Me the Night is a 1980 album by American jazz guitarist and singer George Benson. Producer Quincy Jones released the album on his start-up label Qwest Records , in conjunction with Warner Bros. Records .
The ' 50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1] [2] the doo-wop progression [3]: 204 and the "ice cream changes" [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V. For example, in C major: C–Am ...
It topped the country singles chart, and was also a crossover hit, reaching number eight on the U.S. pop singles chart. "Help Me Make It Through The Night" also became Smith's signature song. [2] In May 2024, Rolling Stone ranked the song at number 71 on its 200 Greatest Country Songs of All Time ranking. [3]
The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV : C–G–Am–F; V–vi–IV–I : G–Am–F–C
In the movement entitled 'The Night's Music' [4] ('Musiques nocturnes' in French) of Out of Doors for solo piano (1926), Béla Bartók imitated the sounds of nature. It contains quiet, eerie, blurred cluster-chords and imitations of the twittering of birds and croaking of nocturnal creatures, with lonely melodies in contrasting sections.