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The Canadian public often regarded modernist movements such as Cubism, Surrealism and Abstract Expressionism as bizarre and subversive. The acquisition of modernist paintings, even Impressionist works, by public galleries was invariably a source of controversy.
She immersed herself in conversations with her peers about art styles, including impressionism, post impressionism, cubism and the artists who were central to those movements. Vasily Shukhayev was a relatively unknown painter and set designer whose students practiced life drawing and painting.
Kathleen Jean Munn (1887– October 19, 1974) is recognized today as a pioneer of modern art in Canada, though she remained on the periphery of the Canadian art scene during her lifetime. She imagined conventional subjects in a radically new visual vocabulary as she combined the traditions of European art with modern art studies in New York.
Vale was introduced to the world of visual art by her husband, Albert Franck, [7] who painted views of Toronto backyards and houses. [8] In the late 1940s, Vale began to experiment with her husband's paints and brushes. In contrast to Franck's paintings of urban scenes, Vale's subjects were often imaginative and even imaginary. [9]
[8] [9] The Art Gallery of Ontario, in its earlier incarnation as the Art Gallery of Toronto, was the site of their first exhibition as the Group of Seven in 1920. [2] The McMichael Canadian Art Collection was founded by Robert and Signe McMichael, who began collecting paintings by the Group of Seven and their contemporaries in 1955. [10]
The History of Painting in Canada: Toward A People's Art Toronto, New Canada Publications, 1974. ISBN 0-919600-12-3. Morris, Jerrold. 100 Years of Canadian Drawings Toronto, Methuen, 1980. ISBN 0-458-94570-6. Murray, Joan (1999). Canadian Art in the Twentieth Century. Toronto: Dundurn. OCLC 260193722. Nasgaard, Roald (2008). Abstract Painting ...
Established in 2012, the Art Canada Institute is a non-governmental initiative spearheaded by Founder and Executive Director Sara Angel, C.M.. [2] A Trudeau Scholar and arts journalist with a background in publishing, Angel intended to address what she viewed as an absence of accessible and inclusive material on Canadian visual culture through the creation of the ACI, which has been described ...
The Canadian Group of Painters succeeded the disbanded Group of Seven, whose modernist paintings of the Canadian north land had been a strong influence on Canadian art. [2] In the early 1930s, the Group of Seven's prominence had caused controversy as many believed that the National Gallery of Canada exhibited favouritism for their work [ 3 ...