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Mystics contrived many stories about Majnun to illustrate technical mystical concepts such as fanaa (annihilation), divānagi (love-madness), self-sacrifice, etc. Nizami's work has been translated into many languages. [16] The modern Arabic-language adaptation of the classical Arabic story include Shawqi's play The Mad Lover of Layla. [17]
Ishq (Arabic: عشق, romanized: ʿishq) is an Arabic word meaning 'love' or 'passion', [1] also widely used in other languages of the Muslim world and the Indian subcontinent. The word ishq does not appear in the central religious text of Islam, the Quran , which instead uses derivatives of the verbal root habba ( حَبَّ ), such as the ...
It is based on the story of the ancient Arabic legend "Layla and Majnun" about the unhappy love [3] of the young man Qays, nicknamed "Majnun" ("The Madman"), towards beautiful Layla. The poem is dedicated to Shirvanshah Ahsitan I, and was written on his order. [4]
The word ghazal originates from the Arabic word غزل (ġazal). This genre of Arabic poetry is derived from غَزَل (ḡazal) or غَزِلَ (ḡazila) - To sweet-talk, to flirt, to display amorous gestures. [6] The Arabic word غزل ġazal is pronounced . In English, the word is pronounced / ˈ ɡ ʌ z əl / [7] or / ˈ ɡ æ z æ l /. [8]
Idries Shah finds the Abjad numerical equivalent of the Arabic title, alf layla wa layla, in the Arabic phrase ʾumm al-qiṣṣa, meaning 'mother of stories'. He goes on to state that many of the stories "are encoded Sufi teaching stories , descriptions of psychological processes, or enciphered lore of one kind or another".
Hadīth Bayāḍ wa Riyāḍ (Arabic: حديث بياض ورياض, "The Story of Bayad and Riyad") is a 13th-century Arabic love story.The main characters of the tale are Bayad, a merchant's son and a foreigner from Damascus; Riyad, a well-educated slave girl in the court of an unnamed Hajib (vizier or minister) of 'Iraq (Mesopotamia); and a "Lady" (al-sayyida).
"Ali Baba and the Forty Thieves" (Arabic: علي بابا والأربعون لصا) is a folk tale in Arabic added to the One Thousand and One Nights in the 18th century by its French translator Antoine Galland, who heard it from Syrian storyteller Hanna Diyab.
Nasīb (Arabic: النسيب) is an Arabic literary form, 'usually defined as an erotic or amatory prelude to the type of long poem called a qaṣīdah.' [1] However, although at the beginning of the form's development nasīb meant 'love-song', it came to cover much wider kinds of content: [2] 'The nasīb usually is understood as the first part ...