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Henry Lytton as the Major-General (1919) Drawing from 1884 children's Pirates "I Am the Very Model of a Modern Major-General" (often referred to as the "Major-General's Song" or "Modern Major-General's Song") is a patter song from Gilbert and Sullivan's 1879 comic opera The Pirates of Penzance.
Gilbert's lyrics served as a model for such 20th-century Broadway lyricists as Cole Porter, [159] Ira Gershwin, [160] and Lorenz Hart. [7] Noël Coward wrote: "I was born into a generation that still took light music seriously. The lyrics and melodies of Gilbert and Sullivan were hummed and strummed into my consciousness at an early age.
It is a staple of comic opera, especially Gilbert and Sullivan, but it has also been used in musical theatre and elsewhere. [ 2 ] The lyric of a patter song generally features tongue-twisting rhyming text , with alliterative words and other consonant or vowel sounds that are intended to be entertaining to listen to at rapid speed. [ 2 ]
"Three Little Maids from School Are We", sometimes listed as "Three Little Maids", is a song from Act I of Gilbert and Sullivan's comic opera The Mikado.The song is a trio for three female characters who are schoolmates; at the end of the song, the three are joined by the chorus of female schoolmates.
Gilbert and Sullivan – A Dual Biography. Oxford: Oxford University Press. ISBN 978-0-19-514769-8. Bradley, Ian (1996). The Complete Annotated Gilbert and Sullivan. Oxford: Oxford University Press. ISBN 0-19-816503-X. Eden, David; Meinhard Saremba (2009). The Cambridge Companion to Gilbert and Sullivan. Cambridge Companions to Music. Cambridge ...
Over the next two months, Sullivan met Gilbert to discuss the libretto as more lyrics were completed. Music rehearsals began in September, and staging began in October, scheduled around performances of Gilbert and Sullivan's previous opera, Patience, which had transferred to the Savoy Theatre a year earlier. [5]
My Gilbert and Sullivan! of parodies of Gilbert's lyrics advertising Guinness stout. [203] The likenesses (often in costume) of, or endorsements by, numerous Gilbert and Sullivan performers were used in advertising throughout the decades. [204] Trading cards were also created, using images from some of the operas to advertise various products ...
Gilbert and Sullivan disagreed on several matters, including the character of Lady Sophy, and Sullivan found some of Gilbert's lyrics difficult to set. [9] Their lack of cohesion during the writing and editing of Utopia was in marked contrast with what Sullivan called the "oneness" of their previous collaborations since Trial by Jury in 1875. [10]