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According to Giorgio Vasari, shortly after the installation of his Pietà, Michelangelo overheard someone remark (or asked visitors about the sculptor) that it was the work of another sculptor, Cristoforo Solari, whereupon Michelangelo signed the sculpture. [11] Michelangelo carved the words on the sash running across Mary's chest.
Date/Time Thumbnail Dimensions User Comment; current: 17:59, 14 September 2020: 2,000 × 3,117 (4.5 MB): Aavindraa: larger: 08:48, 9 September 2010: 617 × 950 (138 KB): Sailko {{Information |Description=MICHELANGELO Buonarroti Study for the Colonna Pietà Chalk Isabella Stewart Gardner Museum, Boston |Source=www.wga.hu |Date=c. 1538 |Author= see filename or category |Permission={{PD-Art ...
Location Isabella Stewart Gardner Museum , Boston The Pietà for Vittoria Colonna is a black chalk drawing on cardboard (28.9×18.9 cm) attributed to Michelangelo Buonarroti , dated to about 1538–1544 and kept at the Isabella Stewart Gardner Museum in Boston .
De Tolnay, Charles (1953). "Michelangelo's Pieta Composition for Vittoria Colonna". Record of the Art Museum, Princeton University 12 (2): 44–62. doi:10.2307/3774312 Dillon, Anne. 2012. Michelangelo and the English martyrs. Farnham, Surrey, England: Ashgate. pp. 159-161. Source/Photographer: Isabella Stewart Gardner Museum : Permission
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The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
A subterranean corridor in Florence covered with charcoal drawings of figures thought to be sketched by Michelangelo while in hiding is be opened to the public for the first time.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.