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"Goldfinger" is the title song from the 1964 James Bond film of the same name. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release.
Dehn also suggested the pre-credit sequence be an action scene with no relevance to the actual plot. [7] Maibaum, however, based the pre-credit sequence on the opening scene of the novel, where Bond is waiting at Miami Airport contemplating his recent killing of a Latin American drug smuggler. [38] Wolf Mankowitz, an un-credited screenwriter on Dr.
3. Shirley Bassey – "Goldfinger" Goldfinger, the third film in the Bond series, was the first to include an original song over its opening credits, thus setting the standard for the franchise ...
London Southend Airport was used for the scene where Goldfinger flies to Switzerland. [39] Ian Fleming visited the set of Goldfinger in April 1964; he died a few months later in August 1964, shortly before the film's release. [42] The second unit filmed in Kentucky, and these shots were edited into scenes filmed at Pinewood. [41]
Craig’s Mexico City opening sequence is a honey, and Léa Seydoux is a stellar addition to the double-0 universe. Still, the whole Blofeld thing is a disaster. It felt like a franchise short of ...
The release of "Goldfinger," and the appearance of "The Man from U.N.C.L.E." on TV the same year brought the secret agent craze to full froth. Toy 007 cars, weapons, attaché cases, model kits ...
For example, the 1965 film Thunderball features scenes of deep-sea diving and this is reflected in the associated opening sequence; [25] similarly the opening sequence for the 1964 film Goldfinger shows clips from Bond films projected onto the gold-painted silhouette of actress Margaret Nolan: the titles have been described by Bond scholars ...
Goldfinger is the soundtrack of the 1964 film of the same name, the third film in the James Bond film series, directed by Guy Hamilton. The album was composed by John Barry and distributed by EMI . Two versions were released initially, one in the United States and the United Kingdom , which varied in terms of length and which tracks were within ...