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Iwan Müller, sometimes spelled Iwan Mueller (14 December 1786, Reval, Governorate of Estonia – 4 February 1854, Bückeburg), was a clarinetist, composer and inventor who at the beginning of the 19th century was responsible for a major step forward in the development of the clarinet, the air-tight pad.
The Mazzeo system is a key system for the clarinet invented by Rosario Mazzeo in the 1950s, [1] and is a modification of the Boehm system.Exclusive mass-production rights were given to the Selmer company, although only 13,000 were made.
Over time, additional keywork and airtight pads were added to improve the tone and playability. Today the clarinet is a standard fixture of the orchestra and concert band and is used in classical music, military bands, klezmer, jazz, and other styles.
Some tone holes of a basset clarinet. A selection of flutes from around the world. A tone hole is an opening in the body of a wind instrument which, when alternately closed and opened, changes the pitch of the sound produced. Tone holes may serve specific purposes, such as a trill hole or register hole.
The register key is a key on the clarinet [clarification needed] that is used to play in the second register; that is, it raises the pitch of most first-register notes by a twelfth (19 semitones) when pressed. It is positioned above the left thumb hole and is operated by the left thumb.
The Albert system refers to a system of clarinet keywork and fingering developed by Eugène Albert. In the United Kingdom, it is known as the simple system. It has been largely replaced by the Boehm system and Oehler system. Big Band musician Jimmy Dorsey used a clarinet outfitted with the Albert system.
Oehler-system clarinet and Full-Oehler clarinet with bell mechanism to correct low E and F The Oehler system (also spelled Öhler ) is a system for clarinet keys developed by Oskar Oehler . Based on the Müller system clarinet, the system adds tone holes to correct intonation and acoustic deficiencies, notably of the alternately-fingered notes ...
Overblowing is the manipulation of supplied air through a wind instrument that causes the sounded pitch to jump to a higher one without a fingering change or the operation of a slide. Overblowing may involve a change in the air pressure, in the point at which the air is directed, or in the resonance characteristics of the chamber formed by the ...