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Action, Gesture, Paint: Women Artists and Global Abstraction 1940–1970 was an art exhibition held at the Whitechapel Gallery from 9 February 2023 through 7 May 2023. [1] The exhibit presented 150 mid-century abstract paintings by 81 women artists. The show included artists from Asia, Europe, North America, and South America. [2] [3]
Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Plains women traditionally paint abstract, geometric designs. [2] [3] Bright colors were preferred and areas were filled with solid fields of color. Cross-hatching was a last resort used only when paint was scarce. Negative space was important and designs were discussed by women in terms of their negative space. Dots are used to break up large ...
Sarah Grilo (circa 1919 [1] – 2007) was an Argentine painter who is best known for her abstract gestural paintings. Married to the artist José Antonio Fernández-Muro, she lived in Buenos Aires, Paris, New York and Madrid. She is considered one of the most important Latin American artists of the 20th century. [2] [3] [4]
Schapiro's artwork blurs the line between fine art and craft. [2] She incorporated craft elements into her paintings due to their association with women and femininity. Schapiro's work touches on the issue of feminism and art: especially in the aspect of feminism in relation to abstract art.
This is a partial list of 20th-century women artists, sorted alphabetically by decade of birth.These artists are known for creating artworks that are primarily visual in nature, in traditional media such as painting, sculpture, photography, printmaking, ceramics as well as in more recently developed genres, such as installation art, performance art, conceptual art, digital art and video art.
The dimensions may owe something to the influence of Diego Velázquez's Las Meninas, which Sargent had copied, and which presages the geometric format and broad, deep spaces of Sargent's painting. [ 5 ] [ 6 ] When the painting was first exhibited, contemporary critics, including Henry James , wrote of Sargent's debt to Velázquez.
The exhibition showcased 20 major paintings and one sculpture created between 2014 and 2016. The show consisted of large-scale geometric paintings, with a few diptychs and triptychs as well. This exhibition was considered a tribute to Herrera, and also featured photographs of her studio and her New York apartment, which she lived in from 1954 on.