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A drawing of Yacatecuhtli in the Codex Borgia In Aztec mythology , Yacatecuhtli ( [jakaˈtekʷt͡ɬi] ) was a patron god of commerce and travelers, [ 1 ] especially business travelers. His symbol is a bundle of sticks.
Sacrifice of a war captive (Image based on the Codex Magliabechiano) The tecpatl or sacrificial knife, was an important element in Aztec rituals. The tecpatl was used by Aztec priests to open the chest of the victims of human sacrifice to extract the heart that would feed the gods, in the hope that the offerings would bring blessings to mankind ...
A representation of the goddess can be found on each side of the 1503 CE Coronation Stone of the Aztec ruler Moctezuma II, alongside the glyphs for fire and water — traditional symbols of war. Historian Mary Miller even suggests that Tlaltecuhtli may be the face in the center of the famous Aztec Calendar Stone (Piedra del Sol), where she ...
Huastec statue of Ometochtli. Rabbit-shaped vessel probably used for containing pulque, the rabbit, and the rabbit deity Ome Tochtli, was a symbol of pulque. In Aztec mythology, Ometochtli (pronounced [oːmetoːtʃtɬi]) is the collective or generic name of various individual deities and supernatural figures associated with pulque (octli), [1] an alcoholic beverage derived from the fermented ...
Macuiltochtli (pronounced [makʷiɬtoːtʃtɬi], 'Five Rabbit'; from Classical Nahuatl: macuilli, 'five' + tochtli, 'rabbit') is one of the five deities from Aztec and other central Mexican pre-Columbian mythological traditions who, known collectively as the Ahuiateteo, symbolized excess, over-indulgence and the attendant punishments and consequences thereof.
These five cobs were also symbols for a seemingly separate goddess. [10] This highly worshipped goddess was known as Lady Chicomecoatl, Seven Serpents. [ 10 ] She was the earth spirit and the lady of fertility and life, seen as a kind of mother figure in the Aztec world and was the partner of Centeotl.
The Aztec form of writing is largely pictorial and was a semasiographic system, meaning writing existed separately from spoken word. [5] The glyphs were recognizable to their meaning, and members of the population would understand what day it was and their current position in time. [ 5 ]
Coiled Serpent, unknown Aztec artist, 15th–early 16th century CE, Stone, The Metropolitan Museum of Art, New York, United States [1] The use of serpents in Aztec art ranges greatly from being an inclusion in the iconography of important religious figures such as Quetzalcoatl and Cōātlīcue, [2] to being used as symbols on Aztec ritual objects, [3] and decorative stand-alone representations ...