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Li Bai (Chinese: 李白; pinyin: Lǐ Bái, 701–762), formerly pronounced Li Bo, courtesy name Taibai (太白), was a Chinese poet acclaimed as one of the greatest and most important poets of the Tang dynasty and in Chinese history as a whole.
Since its conception during the Tang dynasty, "Quiet Night Thought" remains one of Li Bai's most famous and memorable poems.It is featured in classic Chinese poetry anthologies such as the Three Hundred Tang Poems and is popularly taught in Chinese-language schools as part of Chinese literature curricula.
List of Brontë poems; List of poems by Ivan Bunin; List of poems by Catullus; List of Emily Dickinson poems; List of poems by Robert Frost; List of poems by John Keats; List of poems by Philip Larkin; List of poems by Samuel Taylor Coleridge; List of poems by Walt Whitman; List of poems by William Wordsworth; List of works by Andrew Marvell
Adrianus (poet), wrote an epic poem on the history of Alexander the Great, of which only one line is extant. Aeschylus / ˈ ɛ s k əl ə s / (Greek: Αἰσχύλος, 525–456 BC), earliest of the three surviving Classical Athenian tragedians. Aeschylus of Alexandria, epic poet, 2nd century; Agathon (Greek Ἀγάθων) (c. 448–400 BC)
This poem marks the introduction into an English context of the classical pastoral, a mode of poetry that assumes an aristocratic audience with a certain kind of attitude to the land and peasants. The explorations of love found in the sonnets of William Shakespeare and the poetry of Walter Raleigh and others also implies a courtly audience.
A replica of a Man'yōshū poem No. 8, by Nukata no Ōkimi. The Man'yōshū (万葉集, pronounced [maɰ̃joꜜːɕɯː]; literally "Collection of Ten Thousand Leaves") [a] [1] is the oldest extant collection of Japanese waka (poetry in Old Japanese or Classical Japanese), [b] compiled sometime after AD 759 during the Nara period.
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A poem starting with the words Subscribere proposui ("I have suggested signing (it)") has two verses that closely resemble the later Gaudeamus igitur verses, although neither the first verse nor the actual words Gaudeamus igitur appear. The music accompanying this poem bears no relation to the melody which is now associated with it.