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Chapters 10, 11, and 12 in the Book of Daniel make up Daniel's final vision, describing a series of conflicts between the unnamed "King of the North" and "King of the South" leading to the "time of the end", when Israel will be vindicated and the dead raised, some to everlasting life and some to shame and everlasting contempt.
For over two thousand years readers have speculated as to the meaning of the themes running through the Book of Daniel: [16] The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In ...
The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. Ostensibly "an account of the activities and visions of Daniel, a noble Jew exiled at Babylon", [1] the text features a prophecy rooted in Jewish history, as well as a portrayal of the end times that is both cosmic in scope and political in its focus. [2]
Chapter 4: Nebuchadnezzar's Madness; Chapter 5: Belshazzar's Feast; Chapter 6: Daniel in the Lions's Den; Chapter 7: The Four Beasts; Chapter 8: The Ram, He-Goat and Horn; Chapter 9: The Seventy Weeks; Chapters 10–12: Daniel's final vision; Additions to Daniel: - Song of the Three Holy Children - Susanna and the Elders (Daniel 13) - Bel and ...
The Book of Daniel is preserved in the 12-chapter Masoretic Text and in two longer Greek versions: the original Septuagint version, c. 100 BCE, and the later Theodotion version from c. 2nd century CE. Both Greek texts contain the three additions to Daniel. The Masoretic text does not.
The Book of Daniel is "a composite text of dubious historicity from various genres", [4] and Daniel himself is a legendary figure. [5] The book of which he is the hero divides into two parts, a set of tales in chapters 1–6 from no earlier than the Hellenistic period (323–30 BCE), and the series of visions in chapters 7–12 from the ...
The second chapter of the Book of Daniel tells how Daniel interpreted a dream of Nebuchadnezzar, king of Babylon. The king saw a gigantic statue made of four metals, from its gold head to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
This, the fact that a Henry is mentioned in the text, and some of the manuscripts can be dated to the early 13th century, make it very probable the poem dates from that period. There a reference to a Daniel of Beccles in the "Seventh Regnal Year of King John" (circa 1206) secretly being given the patronage (advowson) of the church of Endgate in ...