Ad
related to: john cage 4'33 score pdf
Search results
Results From The WOW.Com Content Network
4′33″ [a] is a modernist composition [b] by American experimental composer John Cage.It was composed in 1952 for any instrument or combination of instruments; the score instructs performers not to play their instruments throughout the three movements.
Imaginary Landscape No. 4 (March No. 2) is a composition for 24 performers on 12 radios and conductor by American composer John Cage and the fourth in the series of Imaginary Landscapes. It is the first installment not to include any percussion instrument at all and Cage's first composition to be based fully on chance operations.
John Cage Complete Works, hosted and developed by the John Cage Trust; Rob Haskins: Program and Liner Notes, includes a number of essays on Number Pieces in general, One 4, One 9, Two 2, Two 3, Two 4, Four, Four 4, Twenty-Nine and 108. James Pritchett: Liner Notes: One 8 for cello and curved bow
Music of Changes is a piece for solo piano by John Cage.Composed in 1951 for pianist and friend David Tudor, it is a ground-breaking piece of indeterminate music.The process of composition involved applying decisions made using the I Ching, a Chinese classic text that is commonly used as a divination system.
Catalogue at the John Cage Compendium, compiled by Paul van Emmerik, alphabetical; John Cage Chronological Catalog of Music compiled by Larry Solomon, includes an alphabetic list as well; details on individual compositions (some minor errors and omissions) Unrecorded John Cage Works with details on events and a list of lost works
Imaginary Landscape is the title of a series of five pieces by American composer John Cage, all of which include instruments or other elements requiring electricity. The series comprises the following works: Imaginary Landscape No. 1 (1939)
The search engine that helps you find exactly what you're looking for. Find the most relevant information, video, images, and answers from all across the Web.
The score consists of six transparent squares: one with 27 points of four different sizes, five with five lines each. The squares are to be combined in any way, with points representing sounds, and lines used as axes of various characteristics of these sounds: lowest frequency, simplest overtone structure, etc. Said characteristics are obtained ...