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'Great jacket'), is a form of paofu, Chinese robe, which was derived from the Qing dynasty qizhuang, the traditional dress of the Manchu people, which were worn by Manchu men. [ 1 ] : 129 The changshan was actually developed by the Han Chinese through the modification of their own Ming dynasty's Hanfu by adopting some Manchu men's clothing ...
Paofu (Chinese: 袍服; pinyin: páofú; lit. 'robe'), also known as pao (Chinese: 袍; pinyin: páo; lit. 'robe') [1] [2]: 90 for short, is a form of a long, one-piece robe in Hanfu, which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. [3]
[81] [61] [82] [83] The robe continued to be worn in the Northern and Southern dynasties by both men and women, as seen in the lacquered screen found in the Northern Wei tomb of Sima Jinlong (ca. 483 A.D); however, there were some minor alterations to the robe, such as higher waistline and the sleeves are usually left open in a dramatic flare.
Chinese clothing, including ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [ 1 ]
Daopao (Chinese: 道袍; pinyin: dàopáo; lit. 'Taoist robe'), also known as xuezi (Chinese: 褶子) when used as a Xifu during Chinese opera performances, [1] [2]: 181 and deluo (Chinese: 得罗) when it is blue in colour, [3] is a traditional form of paofu in Hanfu and is also one of the most distinctive form of traditional clothing for the Han Chinese. [4]
"Colourful robe" It is a ritual robe; it can have embroidered borders but the clothing is typically monochrome, mostly red in colour. It is worn for during daily recitations of scriptures in a worship hall before divinities. [28] Unknown – Present Daopao 道袍 "Taoist robe" or "Robe of the Dao" It is worn by middle-rank Taoist priests. [34]