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Paofu (Chinese: 袍服; pinyin: páofú; lit. 'robe'), also known as pao (Chinese: 袍; pinyin: páo; lit. 'robe') [1] [2]: 90 for short, is a form of a long, one-piece robe in Hanfu, which is characterized by the natural integration of the upper and lower part of the robe which is cut from a single fabric. [3]
The type of qizhuang that both men and women typically wore consisted of long robes, which can be referred to as the Manchu changpao and also categorized under the broad category of changpao (Chinese: 长袍; Chinese: 長袍; lit. 'long robe') or changshan (simplified Chinese: 长衫; traditional Chinese: 長衫; lit. 'long shirt'). [14]
"robe of one colour" Introduced in Yuan; later became a uniform for the military officials Ming. Yuan – Ming Rúqún: 襦裙 "Jacket and skirt" An upper garment covered by a separate skirt. A common clothing for women. Pre-Qin – Modern Ǎoqún/ Shānqún. 袄裙/衫裙 A short coat with a long skirt underneath. A common clothing for women.
Two women wearing cheongsam in a 1930s Shanghai advertisement. The cheongsam is a body-hugging (modified in Shanghai) one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo (旗袍; Wade-Giles ch'i-p'ao), and is also known in English as a mandarin gown.
The women's skirts were characterized with high waistline which created a silhouette which looked similar to the Empire dresses of Napoleonic France; however, the construction of the assemble differed from the ones worn in Western countries as Han Chinese women assemble consisted of a separate skirt and upper garment which show low décolletage.
Chinese also influenced various designs and styles of déshabillé in the United States. [82] Chinese jackets with wrap closure also influenced American fashion in the early 1900s; an example of such jacket is the San toy (#4777), which appeared in American women's magazine, The Delineator, in 1901. In volume 57, The Delineator described it as ...
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