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Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues . Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded.
The historian Sylviane Diouf and ethnomusicologist Gerhard Kubik identify Islamic music as an influence on blues music. [11] [12] Diouf notes a striking resemblance between the Islamic call to prayer (originating from Bilal ibn Rabah, a famous Abyssinian African Muslim in the early 7th century) and 19th-century field holler music, noting that both have similar lyrics praising God, melody, note ...
Blues is a music genre [3] and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. [2] Blues has incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture.
Although very few women were recorded playing Delta blues and other rural or folk-style blues, many performers did not get professionally recorded. Geeshie Wiley was a blues singer and guitar player who recorded six songs for Paramount Records that were issued on three records in April 1930.
Sister Rosetta Tharpe (born Rosetta Nubin, March 20, 1915 – October 9, 1973) [1] was an American singer, songwriter and guitarist. She gained popularity in the 1930s and 1940s with her gospel recordings, characterized by a unique mixture of spiritual lyrics and electric guitar.
The 1912 publication of the sheet music of "The Memphis Blues" introduced his style of 12-bar blues; it was credited as the inspiration for the foxtrot by Vernon and Irene Castle, a New York dance team. Handy sold the rights to the song for $100.
Men begin to dominate recordings of blues music, after women have been the most common recording performer since 1920. [9] John Dopyera and his brothers invent the Dobro guitar in response to requests for a louder instrument. [60] The Soul Stirrers, the "real creators of the modern gospel sound", is formed by Roy Crain in Trinity, Texas. [155]
Gertrude "Ma" Rainey (née Pridgett; April 26, 1886 – December 22, 1939) [1] [2] [3] was an American blues singer and influential early-blues recording artist. [4] Dubbed the "Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. [5]