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20th Century Fox; from F. Scott Fitzgerald novel; King's final film That Touch of Mink: Delbert Mann: Cary Grant, Doris Day, Gig Young, Audrey Meadows, John Astin: Comedy: Universal: The Three Stooges Meet Hercules: Edward Bernds: The Three Stooges, Vicki Trickett: Comedy: Columbia: The Three Stooges in Orbit: Edward Bernds: The Three Stooges ...
Backfire! (1962 film) The Bakery Girl of Monceau; The Balcony of the Moon; Bale Pandiya (1962 film) Banarsi Thug; Band of Thieves (1962 film) La banda Casaroli; Bandha Pasam; The Barber of Stamford Hill; Barravento; Beauty and the Beast (1962 film) Bees Saal Baad (1962 film) The Beggars (film) Being Two Isn't Easy; The Bellboy and the Playgirls ...
Highest-grossing films of 1962 Rank Title Distributor Domestic rentals 1 The Longest Day: 20th Century Fox: $15,250,000 [1] 2 Lawrence of Arabia: Columbia: $15,000,000 [1] 3 The Music Man: Warner Bros. $8,000,000 [1] 4 That Touch of Mink: Universal: $7,942,000 [2] 5 Mutiny on the Bounty: MGM: $7,410,000 [2] 6 To Kill a Mockingbird: Universal ...
The Coldest Game; The Courier (2020 film) ... (2023 film) The Day of the Jackal (film) Dear Comrades! Dear Eleanor; Detention (2019 film) ... (1962 film) Psycho Beach ...
In the Cool of the Day is a 1963 British-American romantic drama film released by Metro-Goldwyn-Mayer in Metrocolor and Panavision. [ 2 ] [ 3 ] The film is directed by Robert Stevens and starring Peter Finch , Jane Fonda , Angela Lansbury , Arthur Hill , and Constance Cummings ; with Nigel Davenport , and John Le Mesurier .
Shaheed (1962 film) Shore Leave (1962 film) Siberian Lady Macbeth; The Silent Invasion; Siska (film) Sodom and Gomorrah (1962 film) The Spiral Road; Spotkanie w "Bajce" Star-Crossed Lovers; Stark Fear; The Story of Joseph and His Brethren; Strange Girl (film) Stranger in the City (1962 film) Strangers in the City (1962 film) Street of Temptation
I Thank a Fool is a 1962 British Metrocolor crime film directed by Robert Stevens and starring Susan Hayward and Peter Finch. [1] It was made by Eaton (De Grunwald Productions) and Metro-Goldwyn-Mayer in CinemaScope and produced by Anatole de Grunwald from a screenplay by Karl Tunberg based on the 1958 novel of the same title by Audrey Erskine Lindop.
The film was shot in May–June 1961, and was reviewed by the British censors on 20 December 1961, who gave it an X certificate without any cuts. [1] The film was not released in Britain until 20 May 1963, when it was shown at the London Pavilion as the second half of a double bill of X-rated horror films. [16]