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Arthur Symons, a British poet and literary critic contemporary with the movement, at one time considered Decadence in literature to be a parent category that included both Symbolism and Impressionism, as rebellions against realism. He defined this common, decadent thread as "an intense self-consciousness, a restless curiosity in research, an ...
Decadence was late-19th-century movement emphasizing the need for sensationalism, egocentricity; bizarre, artificial, perverse, and exotic sensations and experiences. By extension, it may refer to a decline in art, literature, science, technology, and work ethics, or (very loosely) to self-indulgent behavior.
In the mid 19th century, decadence came to refer to moral decay, and was attributed as the cause of the fall of great civilizations, like the Roman empire. The decadent movement was a response to the perceived decadence within the earlier Romantic, naturalist and realist movements in France at this time. [52]
Arthur Symons is largely credited in contributing to what is best known as symbolism and decadence, though decadent became the term used more often later in his career. [10] His criticisms of French artists spread to the upcoming artists influencing those such as W. B. Yeats and T. S. Eliot. [11]
What is clear, however, is that between 1893 and 1899, Symons' own perception of and sensibility towards literary Decadence changed. Many of the essays in the 1899 edition of The Symbolist Movement in Literature were initially published as individual articles between 1897 and 1899 in periodicals such as The Star or The Athenaeum , before being ...
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Charles Baudelaire's work demonstrates some of the pessimism expected of the time, and his work with modernity exemplified the decadence and decay with which turn-of-the-century French art is associated, while his work with symbolism promoted the mysticism Nordau associated with fin de siècle artists.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...