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Antonio Vivaldi wrote a set of flute concertos, Op. 10, [a] that were published c. 1728 by Amsterdam publisher Michel-Charles Le Cène. [1] Flute Concerto No. 1 "La Tempesta di Mare" in F major, RV 433 Allegro; Largo; Presto; Flute Concerto No. 2 "La Notte" in G minor, RV 439 (see also RV 104, composed in the 1710s with chamber accompaniment) Largo
Ludwig van Beethoven: . Serenade for flute, violin and viola in D major, Op. 25; Trio for piano, flute, and bassoon in G major, WoO 37; Pierre Boulez: …explosante-fixe…, various configurations with flute and other instruments (1971–72, 1973–74, 1985, 1991–93)
A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
Music for Flute and Orchestra is a classical work by Catalan composer Leonardo Balada, composed in 2000. This work was commissioned by the Carnegie Mellon University, and the first recording of the work can be found in the Naxos catalogue. This piece has plenty of Catalan folk elements and belong to the composer's avant-garde period.
Suite for Flute and Jazz Piano (aka Suite for Flute and Jazz Piano Trio) is a "crossover" composition by the jazz pianist and composer Claude Bolling. [1] The composition, originally written in 1973, is a suite of seven movements, written for a classical flute , and a jazz piano trio ( piano , string bass , and drums ).
Sonata in E minor for flute and basso continuo by J. S. Bach (BWV 1034) is a sonata in four movements: . Adagio ma non tanto; Allegro; Andante; Allegro; The basso continuo can be provided by a variety of instruments.
Music for Flute, Strings, and Percussion is a piece written by Sofia Gubaidulina in 1994 dedicated to Pierre-Yves Artaud. The instruments are divided into two sections, one of which is tuned a quarter-tone lower than the other. [1] Gubaidulina (2001) describes, "in this way the potential of treating both halves as 'light' and 'shadow' emerges."
It was originally written for flute and piano, but Chaminade later arranged it for flute and orchestra. The piece remains a standard and popular part of the flute repertoire. [1] For example, it was voted #85 in a 2012 survey of the best French classical music by the Australian radio station ABC Classic FM. It also remains one of Chaminade's ...