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Wesley Louden Borland (born February 7, 1975) is an American rock musician. He is the guitarist and backing vocalist of the nu metal band Limp Bizkit, the lead vocalist and guitarist of the alternative and industrial rock band Black Light Burns, and the co-founder of the experimental metal band Big Dumb Face.
Black Light Burns was an American industrial rock band fronted by Wes Borland.Founded in 2005 after Borland departed Limp Bizkit, the band's lineup also includes Nick Annis, Dennis Sanders and Dylan Taylor.
In 1998, Wes and Scott Borland formed Big Dumb Face, [6] serving for Wes Borland as a side project of Limp Bizkit. [7] In 2001, Big Dumb Face released its debut album, Duke Lion Fights the Terror!!, through Flip/Interscope and Flawless Records, a vanity label formed as a Geffen subsidiary by Limp Bizkit frontman Fred Durst, who is credited as an executive producer on the album.
Wes Borland would later state "we liked both versions so much that that's what it ended up being, two versions: a hip-hop version of the song and a rock version of the song." [ 8 ] Music video
Crystal Machete is an instrumental solo album by Wes Borland, guitarist of Limp Bizkit and frontman of Black Light Burns. The album was conceived as a soundtrack to an imaginary '80s movie. [1] While recording the album, Borland imposed the following guidelines upon himself: no distorted guitars, no human vocals, and as little outside help as ...
The Damning Well was a rock supergroup comprising Wes Borland of Limp Bizkit on guitar, Danny Lohner formerly of Nine Inch Nails on bass, Richard Patrick of Filter on vocals, and Josh Freese of A Perfect Circle on drums. [1]
During an interview/talk with the podcast Someone Who Isn't Me that took place in September 2016, guitarist Wes Borland said he was unsure of Fred Durst's ideas for the album, though the original plan was to make music in the spirit of Beastie Boys' studio album, Paul's Boutique. Borland elaborated that Durst had been working on vocals "on and ...
IGN writer Chad Grischow wrote, "Borland's achy guitar bobbing and weaving through the heavy beat of "Shotgun" delivers some of the album's best guitar work". [1] Metal Hammer writer Terry Bezer also appraised the song, writing "The fist-pumping, riot-starting chorus is a guaranteed winner". [2]