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Jesus carrying the cross "Take Up Thy Cross, The Saviour Said" is an American Christian hymn written by Charles W. Everest. It was originally a poem published in 1833 but was later altered to become a hymn. [1] It was then edited by English hymnwriter Sir Henry Baker for inclusion in the Church of England's Hymns Ancient and Modern hymnal. [2]
Eventually these settings became a separate form of Passion music. Perhaps the most outstanding work in this genre in the Lutheran tradition is the work by Heinrich Schütz. Joseph Haydn composed string quartets titled Die sieben letzten Worte unseres Erlösers am Kreuze (The seven last words of our Redeemer on the cross).
Soon after, Kirk Palmer left the band and was replaced by his brother Trevor. In 1986, The Crucified gathered together a small amount of money and recorded 15 songs on a tape named Take up Your Cross under their new name, The Crucified, and distributed the demo throughout their local area and via mail order. "Nailed", the band's second demo ...
Litany of the Passion (hymn) Jesus Said, 'Father, Forgive Them' (tenor and male chorus recitative) – text from Luke 23:34; So Thou Liftest Thy Divine Petition (tenor and bass solo duet) The Mystery of the Intercession (hymn) And One of the Malefactors (bass solo and male chorus) – text from Luke 23:39–43; The Adoration of the Crucified (hymn)
The melody is credited to Dorsey, drawn extensively from the 1844 hymn tune, "Maitland". [1] " Maitland" is often attributed to American composer George N. Allen (1812–1877), but the earliest known source (Plymouth Collection, 1855 [2]) shows that Allen was the author/adapter of the text "Must Jesus bear the cross alone," not the composer of the tune, and the tune itself was printed without ...
According to the sheet music published in Musicnotes.com, the song follows a time signature of common time, and is composed in the key of D minor, with a moderate tempo of 120 beats per minute. Madonna's vocal range from the notes of A 3 to F 5. "Like a Prayer" starts with a Dm–C/D–Gm/D–Dm chord progression in the intro. [18]