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Cutting tools, such as floral knives, floral shears, pruners, and ribbon scissors can be used to cut a variety of materials in floral design. Knives can be used to cut flowers or floral foam. Shears and pruners can also be used to trim and cut foliage and flowers. Ribbon scissors are used to cut ribbon and twine. [21]
Plants used for cut flowers and cut greens are derived from many plant species and diverse plant families. Cut flower arrangements can include cut stems from annual plants, flower bulbs or herbaceous perennials, cut stems of evergreens or colored leaves, flowers from landscape shrubs, flowers that have been dried or preserved, fruit on tree branches, dried uniquely shaped fruit or stems from ...
The wide-cut hooking accomplishes shading and highlights using textures in wool, such as plaids, checks, herringbones, etc. Wide-cut designs are generally less detailed and mimic the naivety of rug hookers of the past. There are many well-known designers of commercial rug patterns and each exhibit their own distinct style and techniques.
A rangoli on the occasion of Diwali, Goa, India A rangoli made with flowers on the occasion of Onam Rangoli at Delhi, India Rangoli is an art form that originates from the Indian subcontinent, in which patterns are created on the floor or a tabletop using materials such as powdered limestone, red ochre, dry rice flour, coloured sand, quartz powder, flower petals, and coloured rocks.
Cable patterns tend to draw the fabric together, making it denser and less elastic; [11] Aran sweaters are a common form of knitted cabling. [12] Arbitrarily complex braid patterns can be done in cable knitting , with the proviso that the wales must move ever upwards; it is generally impossible for a wale to move up and then down the fabric.
Generally no space is left empty; the gaps are filled by paintings of flowers, animals, birds, and even geometric designs.In this paintings, artists use leaves, herbs, and flowers to make the colour which is used to draw the paintings.
The art of Japanese bamboo weaving in patterns such as kagome (籠目) is well known; its name is composed from the words kago (basket) and me (eyes), referring to the pattern of holes found in kagome, where laths woven in three directions (horizontally, diagonally left and diagonally right) create a pattern of trihexagonal tiling.
He continued the practice of using red and blue, engraving "in graduation" for lighter tints of reds used for faces and hands, and engraving the blue blocks in a manner that created textures and patterns. [8] Evans realised books that may have been unsuccessful in a first printing were easy to sell with well-designed cover art. [5]