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Like Steely Dan's 1972 debut album Can't Buy a Thrill, Countdown to Ecstasy has a rock sound that exhibits a strong influence from jazz. [8] It comprises uptempo, four- to five-minute rock songs, [9] which, apart from the bluesy vamps of "Bodhisattva" and "Show Biz Kids", are subtly textured and feature jazz-inspired interludes. [10]
The discography for the American jazz rock band Steely Dan consists of nine studio albums, twenty one singles, two live albums, one live set on DVD, seven compilations and one box set in the United States. The band was originally active from 1971 to 1981 and later reformed in 1993 and continued to release studio and live material up to today.
Kamakiriad is the second solo album by Steely Dan artist Donald Fagen, released in 1993. It was his first collaboration with Steely Dan partner Walter Becker since 1986, on Rosie Vela's album Zazu. Becker played guitar and bass and produced the album.
Steely Dan was inducted into the Rock and Roll Hall of Fame in 2001 and have sold more than 40 million albums worldwide. VH1 ranked Steely Dan at No. 82 on their list of the "100 Greatest Musical Artists of All Time". [9] Rolling Stone ranked them No. 15 on its list of the "20 Greatest Duos of All Time". [10]
Hal Leonard's The Best of Steely Dan describes Gaucho as "a concept album of seven interrelated tales about would-be hipsters." [33] According to Ian MacDonald, "Two songs are about hookers, two more concern the doings of coke dealers, and a fifth depicts the denouement of a seedy marital dispute. What redeems it all is the humour and artistry.
Libby Titus, a singer who recorded two albums in the late 1960s and ’70s before retiring from the music scene, later becoming the wife of Steely Dan’s Donald Fagen, died Sunday at age 77. No ...
Christgau, who created the Pazz & Jop, ranked Pretzel Logic number one on his own year-end list, [30] and later wrote that the album encapsulated Steely Dan's "chewy perversity as aptly as its title", with vocals by Fagen that "seem like the golden mean of pop ensemble singing, stripped of histrionics and displays of technique, almost ...
The Royal Scam, Steely Dan I love every Steely Dan record (and every song on every record), but this one is my favorite, not only from a song standpoint but sonically as well.