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The stout, straight sword appears to have been common and can be seen in early sculptural depictions of the epics. The hero Arjuna, for instance, is made to wield a one-handed sword with a bevelled point, a small handguard, and a large round pommel. Two-handed swords naturally had longer handles and were broad at the hilt.
The martial art of wielding the naginata is known as naginatajutsu. Most naginata practice today is in a modernised form, a gendai budō called atarashii Naginata ("new Naginata" [ 3 ] ), which is organized into regional, national, and international federations, who hold competitions and award ranks.
Hyohō Niten Ichi-ryū (兵法 二天 一流), which can be loosely translated as "the school of the strategy of two heavens as one", is a koryū (ancient school), transmitting a style of classical Japanese swordsmanship conceived by Miyamoto Musashi.
Naginatajutsu (長刀術 or 薙刀術) is the Japanese martial art of wielding the naginata (長刀). The naginata is a weapon resembling the European glaive and the Chinese guan dao. Most naginatajutsu practiced today is in a modernized form, a gendai budō, in which competitions also are held.
A two-handed sword is any sword that usually requires two hands to wield, or more specifically the very large swords of the 16th century. [ 104 ] Throughout history two-handed swords have generally been less common than their one-handed counterparts, one exception being their common use in Japan.
The sword was made of thin pliable steel, and worn round the waist like a belt, the point being fastened to the hilt through a small hole near the point. A man, intending to damage another, might make an apparently friendly call on him, his'body loosely covered with a cloth, and to all appearances unarmed.
In military culture throughout history, the sword symbolised the warrior's soul. Chinese sword culture idealizes sword skill and regards swords as a virtue and a symbol of personal social and cultural accomplishment. [10] The sword embodies the spirit of the Chinese people and has been praised in art works and legends for thousands of years.
Kendo practice at an agricultural school c.1920. The person at right in the foreground is in chūdan-no-kamae, the person at left is in jōdan-no-kamae.. Chūdan-no-kamae (中段の構え:ちゅうだんのかまえ), sometimes shortened to Chūdan-gamae or simply Chūdan, is a basic weapon stance in many Japanese martial arts.