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Van Gogh's works depict a serious young man who at the time the paintings were made had left his parents’ home, working as a blacksmith's apprentice. [27] The Museum Folkwang work depicts Armand in what are likely his best clothes: an elegant fedora, vivid yellow coat, black waistcoat and tie.
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
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New York, Metropolitan Museum of Art, French Painting From David to Toulouse-Lautrec: Loans From French and American Museums and Collections, February 6-March 26, 1941, cat. 64A. New York, Wildenstein and Co., The Art and Life of Vincent van Gogh: Loan Exhibition in Aid of American and Dutch War Relief, October 6-November 7, 1943, cat. 22 (ill.).
In its primary sense, the term was created by Franz Cižek (1865–1946) in the 1890s. The following usages denote and connote different, sometimes parallel meanings: . In the world of contemporary fine art, "child art" refers to a subgenre of artists who depict children in their works;
Paula Modersohn-Becker (8 February 1876 – 20 November 1907) [1] was a German Expressionist painter of the late 19th and early 20th century. She is noted for the many self-portraits the artist produced, including nude self-portraits.
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Anna enjoyed sharing her love of art with her children. Among Vincent's earliest drawings are copies of his mother's sketches of a bouquet of flowers and thistles. [3] Anna's husband, Theodorus van Gogh, was a pastor, a long-standing family profession. Theodorus, known for his good looks and long sermons, came from a family of seven children. [1]