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[36] [37] Luca Mastinu from Optimagazine ranked it as one of Martin's five greatest hits and wrote: "' Un, dos, tres, un pasito pa'lante Maria ' is the verse that we have all sung at least once in our life." [38] At Zeleb, an author labeled the track "a great song with capital letters" and stated: "If to a hit like this, we add a Latin hottie ...
"1, 2, 3" (Spanish: [ˈun dos ˈtɾes]) is a song by Mexican singer Sofía Reyes featuring American singers Jason Derulo and De La Ghetto. It was released as a single on February 16, 2018. [1] The song was written by Reyes, Derulo, Ghetto, Nicole Zignago, Ricardo Montaner, Jon Leone and Charlie Guerrero. [2]
The song begins with a countdown "uno, dos, tres, cuatro" and features the sound of car horns honking in the background. [6] "La Carcacha" employs a comical narrative intertwined with an underlying moral message. [1] The lyrics of "La Carcacha" revolve around a poignant commentary on materialism and superficiality.
123 Andrés make music for bilingual children and families, as well as for those who are in the process of learning Spanish. Their first album, ¡Uno, Dos Tres Andrés! en español y en inglés, was released in 2015, with 22 educational songs; 11 in Spanish and 11 in English. [7] They were nominated for a Latin Grammy. [8]
Later, the band released three more singles: "Uno, Dos, Tres", "Dos Palabras" featuring Lu's lead singer, Paty Cantú, and "Ahí vienes". The band also promised to hold a concert soon for those under 18, since their last two concerts were exclusively for adults.
As of 2025, 367 Latin songs have entered the Hot 100 chart, 1 in the 1950s, 1 in the 1960s, 2 in the 1970s, 1 in the 1980s, 5 in the 1990s, 36 in the 2000s, 80 in the 2010s and 241 in the 2020s. A total of 25 singles managed to reach the top 10 and 4 have peaked at number 1. Only 5 Latin songs reached the top 10 between 1958 and 2016.
We don’t talk about Bruno, but that doesn’t mean we’re gatekeeping Sebastián Yatra’s “Dos Oruguitas” lyrics in English—especially after the song’s nomination and performance at ...
Sam the Sham underscores the Tex-Mex nature of the song by counting out the rhythm in Spanish and English ("Uno! Dos! One, two, tres, cuatro!"), and the characteristic simple organ riffing, with a tenor saxophone solo in the middle. According to Samudio, "The count down part of the song was also not planned.