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Xuan paper, Shuen paper, or rice paper, is a kind of paper originating in ancient China used for writing and painting. Xuan paper is renowned for being soft and fine-textured, suitable for conveying the artistic expression of both Chinese calligraphy and painting .
Xuan paper is a special kind of paper that can absorb the ink and water. There are raw paper and ripe paper under this type and each kind has particular function for Chinese traditional painting. Raw paper is the main material of free hand brush work for it has better absorbency and is more solid.
There are two different kinds of Xuan paper. One is called Shu Xuan paper (cooked rice paper). It is usually used for Gongbi. Another kind is Sheng Xuan paper (raw rice paper). It is usually used for Xieyi ( 'sketch-thought style painting'). The soft paper is able to absorb water well, best used for Chinese painting and calligraphy. [3]
The paper used as the leaves is usually xuan paper (宣紙). This is an absorbent paper used in traditional Chinese calligraphy and painting. Stronger and better quality papers may be used for more detailed works that involve multicoloured woodblock printing. The covers tend to be a stronger type of paper which is dyed dark blue.
Shuen paper, also known as Xuan paper or Shuen paper or rice paper, is a kind of paper originating in ancient China used for writing and painting; Shuen Wan, also known as Plover Cove or Shuen Wan Hoi, a cove in the Tai Po area of Hong Kong, near Tolo Channel and Tolo Harbour; So Hung Shuen, also known as Soh Hang-suen, a former TVB actor
They are also used in Chinese painting and other brush painting styles. The ink brush was invented in China around 300 B.C. [1] [2] Together with the inkstone, inkstick and Xuan paper, these four writing implements form the Four Treasures of the Study.
BEIJING, June 19 (Reuters) - Chinese artist Li Hongbo hopes his paper sculptures of weapons - from AK-47 assault rifles to bullets and pistols - will inspire people to think about peace.
Ink on Xuan paper. Height: 156.8 cm (61.7 in); width: 356 cm (140 in). 16th century, Japan. The painting has been designated as a National Treasure. East Asian writing on aesthetics is generally consistent in saying that the goal of ink and wash painting is not simply to reproduce the appearance of the subject, but to capture its spirit.