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British abstract painters (31 P) Pages in category "British abstract artists" The following 47 pages are in this category, out of 47 total.
Susan Felicity Austin (born 7 September 1965) is a British disabled artist working in multimedia, performance and installation. [1] Austin is best known for her work "Creating the Spectacle!" in which she uses a specially modified wheelchair to move underwater, using scuba diving equipment; it was performed as part of the London 2012 Cultural ...
It includes artists that can also be found in the parent category, or in diffusing subcategories of the parent. United Kingdom portal Pages in category "British artists with disabilities"
Alan Uglow (1941–2011) was a British visual artist, who moved from London to New York City in 1969. Called "a painter's painter" by Roberta Smith, [1] in addition to his paintings, Uglow made objects, sound-and-visual installations, photographs and prints. He died 20 January 2011, in Manhattan, at age sixty-nine, from complications related to ...
Pages in category "Abstract expressionist artists" The following 200 pages are in this category, out of approximately 349 total. This list may not reflect recent changes .
By the 1960s, the movement's initial effect had been assimilated, yet its methods and proponents remained highly influential in art, affecting profoundly the work of many artists who followed. Abstract expressionism preceded Tachisme, Color Field painting, Lyrical Abstraction, Fluxus, Pop Art, Minimalism, Postminimalism, Neo-expressionism, and ...
Born 30 January 1920 at Headingley, Leeds in Yorkshire, Patrick Heron was the eldest child of Thomas Milner Heron and Eulalie Mabel (née Davies). [8] When Patrick Heron was five and his brother Michael (later known as Dom Benedict [9]) was 4 the family moved to Cornwall, where Tom joined Alec Walker at Cryséde to manage and expand the business from artist-designed woodblock prints on silk to ...
Inspired by both American Abstract Expressionism and French Tachisme, Avray Wilson produced amongst the most dynamic abstracts during the post-war period in Britain. His work ranged from spiky linear compositions, through others more spare and geometric towards a mature style that comprised images both disciplined and energetic. [3]