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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
three times. This triple curse, directed at the Montague and Capulet houses, almost literally comes true. Due to an unfortunate coincidence – a plague quarantine imposed by the city guards – Friar John is unable to deliver a letter informing the exiled Romeo that Juliet is not dead but asleep. As a result, both Romeo and Juliet perish.
Friar Laurence is a friar who plays the part of a wise adviser to Romeo and Juliet, along with aiding in major plot developments.. Alone, he foreshadows the later, tragic events of the play with his soliloquy about plants and their similarities to humans. [1]
But even if Romeo & Juliet were the most relatable play in the world, the notion of getting teens and twenty-somethings to pack the house for iambic pentameter feels like an uphill battle. That ...
Romeo and Juliet is a dramatization of Brooke's translation, and Shakespeare follows the poem closely but adds detail to several major and minor characters (the Nurse and Mercutio in particular). [23] [24] [25]
She is, finally, present at the real deathbed of Romeo, Juliet, and Paris, though speechless. Indeed, she loses perhaps the dearest friends of anyone, having suffered through the deaths of her husband, Susan, Tybalt, Romeo, and Juliet. The nurse has the third largest number of lines in the original play; only the eponymous characters have more ...
Olivia Hussey, famously known for her role in the 1968 film "Romeo and Juliet", has died. She was 73. Hussey died Friday, "peacefully at home surrounded by her loved ones," a statement posted to ...
Romeo and Juliet: the Tomb Scene is a painting by Joseph Wright of Derby, completed by 1790, exhibited in 1790 and 1791, shown in the Derby Exhibition of 1839 in the Mechanics' Institute, and now displayed in Derby Museum and Art Gallery. The painting exhibits Wright's famed skill with nocturnal and candlelit scenes.