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The first version is a George Tipton’s easy listening arrangement called "Lullaby, Part 1", released later (along with "Lullaby, Part 2" on the B-side) as a single record, while the second one is the film arrangement, named there "Main Title". George Tipton's version with Farrow's vocals reached No. 33 on the American Billboard Easy Listening ...
Funk emphasizes the groove and rhythm as the key element, so entire funk songs may be based on one chord. Some jazz-funk songs are based on a two-, three-, or four-chord vamp. Some punk and hardcore punk songs use only a few chords. On the other hand, bebop jazz songs may have 32-bar song forms with one or two chord changes every bar.
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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The melody of How Stands the Glass Around James Wolfe, posthumous portrait "How Stands the Glass Around" , also referred to as " General Wolfe 's Song" , is an English folk song . [ 1 ] The lyrics express the suffering of soldiers , wherefore the song was primarily popular among people serving in the military. [ 2 ]
Impressionist composers like Claude Debussy and Maurice Ravel often used close harmony in their works and other intervals, such as 7ths, 9ths, and 11ths may be used since the chords have four or more notes and the harmonies are more complex. [citation needed] In jazz, this influence flowered in the works of George Gershwin and Duke Ellington. [6]